Kaikhosru Shapurji Sorabji collection. -- 1939-1994. --

ArchivalResource

Kaikhosru Shapurji Sorabji collection. -- 1939-1994. --

There have been three accruals. The first and principal accrual of the collection was compiled by his close friend and admirer, Frank Holliday. During the 1960s the composer agreed to allow Holliday to tape record him playing his own compositions. Their correspondence over a forty year period as well as the audio reels and cassettes are the core of this collection. The reels have been reproduced on audio cassettes for use by researchers. The number of audio cassettes listed above refers only to original cassettes. The first accrual is arranged into the following series: Sorabji/Holliday correspondence; general correspondence; Sorabji's writings, scores, manuscripts, publicity, and photographs; audio reels and microfilm; large photographs and audio discs. The second accrual (11-1998) consists of 26 letters and 9 cards written by Sorabji to Dr. Cecil Ewing (a disciple of Sorabji) between 1945 and 1983, 1 letter from Ewing to Holliday, and a periodical. Accrual (12-2005) consists of material from two sources: Norman P. Gentieu, a science writer, jazz musician and editor, and Cecil Ewing. It is arranged into the following series: Gentieu's general correspondence; material related to Bernard John Van Dieren II, son of the music critic Bernard Van Dieren; material related to reproduction of Sorabji's works; Norman P. Gentieu's Sorabji's files; Ewing's general correspondence and Sorabji sound recordings.

1.6 m of textual records, graphic material and sound recordings. -- 38 audio reels. -- 3 audio cassettes. -- 21 audio discs. -- 2 microfilm reels.

Information

SNAC Resource ID: 6940636

McMaster University

Related Entities

There are 1 Entities related to this resource.

Sorabji, Kaikhosru Shapurji, 1892-1988

http://n2t.net/ark:/99166/w6bs9hk3 (person)

Kaikhosru Sorabji (1892-1988) was an English composer and critic. Born Leon Dudley, he changed his name as a result of his interest in the Parsi (Zoroastrian) community. His compositions were unusual, sometimes employing as many as seven staves. He performed across Europe in the 1920s and 1930s but in 1940 announced a ban on all performances of his music without his express permission, though he continued to compose (he lifted the ban in 1976). He was also active as an essayist and critic. ...